Archive for January, 2010

BIG TO LECTURE @ UOFM

Thursday, January 28th, 2010

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BIG 02
BIG 03
BIG 04

On Thursday, February 4th, Bjarke Ingles will be speaking at the University of Michigan.  This event is part of U-M’s School of Art & Design Penny Stamps Distinguished Speakers Series.

February 4, 2010 05:10 PM
The Michigan Theater
603 E. Liberty Street
Ann Arbor, MI

Bjarke Ingels is a Danish architect. He is heading the architectural practice Bjarke Ingels Group which he founded in 2006. In his designs, Bjarke Ingels often try to balance a playful and a practical approach to architecture.

Bjarke Ingels studied architecture at the Royal Academy in Copenhagen and the Technica Superior de Arquitectura in Barcelona, receiving his diploma in 1998. As a 3rd year student he set up his first practice and won his first competition. From 1998-2001 he worked for Office of Metropolitan Architecture and Rem Koolhaas in Rotterdam. (more…)

2010 NAIAS Booth Designs

Tuesday, January 26th, 2010

NAIS_10

NAIAS. This past week, Detroit hosted the 2010 North American International Auto Show.   While automobiles were obviously the main attraction, the individual booths and exhibitions also provided design appeal. While certain companies focused on style and beauty by incorporating fashion models into their displays, others used architectural elements to define space and evoke a sense of innovation and technology.  More importantly, each display was very specifically creative, resulting in a physical manifestation of each car company’s identity. (more…)

DETROIT AS ARCHEOLOGICAL DIG

Friday, January 22nd, 2010

Detroit as Architectural Dig

Matthew Barney Cremaster 01Matthew Barney Cremaster 03
Matthew Barney Cremaster 02

This past Wednesday, Matthew Barney gave a lecture at the DIA.  When asked why he had chosen Detroit as the next stages of his artistic endeavors, Barney replied that Detroit is like an archeological dig. Through decades of devastation, the city has exposed itself and all of its previous layers of associated history.  Fully exposed, the city is open, vulnerable, and supportive of his current work.

Matthew Barney is a multi-media, experiential artist.  In his current work, he is continuing his Cremaster Series with an interpretation of Norman Mailer’s “Ancient Evenings.”  The saga begins with the transformation of the Series’ central character from a 1964 Chrysler Newport into a Pontiac Trans Am.  The automobile returns to its birth site (Detroit) and plunges into the Detroit River off of the Belle Isle Bridge.

For Barney, Detroit offers itself like a handshake, complimenting his ongoing artistic vision. (more…)

chinaHAA : Design, China, and Details 03

Thursday, January 21st, 2010

CHINA 03

chinaHAA. Two months ago, two of our employees trekked 24 travel hours across the globe to Hefei, China. Upon arrival, HAA commenced an innovative cross-cultural, cross-professional exchange. For the next few weeks, these employees will be working directly for the Hefei University of Technology within their architecture/design department. During this time, they will be posting illustrative photos that speak to Design, China, and all of the discovered Details.

These photos share a singular commonality:  possession of the streets.  Residents, businesses, and transportation all possessively claim the shared infrastructure for personal gain.

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HAA ANNOUNCES LECTURESHAA – EVENT 05

Wednesday, January 20th, 2010

Cooley Lecture 01

lecturesHAA is dedicated to creating a broader creative discourse through open and collaborative dialogue. The program includes lectures and discussions throughout the year that will consider important contemporary design issues associated with the urban environment.

The initial program for 2010 will be “Challenging Detroit: (Re)generating Urbanism.” This program will provide an important platform for consideration of innovative, multidisciplinary strategies designed to help the city not only create reinvestment and redevelopment, but also begin to regenerate the social, economic and environmental attributes that define it. Now, more than ever, we need to come together to understand how we can effectively participate in the thoughtful, creative regeneration of Detroit.

The public is encouraged to attend these free events. Please return to rogueHAA for future dates and topics.

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reFACING DETROIT : A HOUSING NARRATIVE : PART 2

Tuesday, January 19th, 2010

Housing Narrative 02

Santa Cruz Accessory Living Unit 1Santa Cruz Accessory Living Unit 2
Mercy Housing CA Mission Creek Senior Community 01
Mercy Housing CA Mission Creek Senior Community 02

[Part two in a series chronicling our experiences assisting the Detroit Housing Commission (DHC).  For further description, refer to our first housing narrative post.]

House No. 3: My car’s wipers intermittently clear our line of sight.  My colleague and I drive past two vacant homes, a vacant school, three vacant lots, and a vacant business.  Finally, we turn onto a block where most of the houses seem to be intact.  The rain is pouring down and we are unprepared.  Holding clip boards over our heads, we make a dash to the home’s covered porch.

We ring the doorbell.  “Who is it?” an elderly woman yells through a door that remains locked.  I answer that we are doing a survey for the Detroit Housing Commission.  “I don’t know anything about a survey” she answers.  I offer that she can call someone with the Housing Commission and she can confirm our presence with them.  The door cracks open.  She asks for ID.  I offer her a photoless ID as I also start to call my contact at the Housing Commission.  Handing the phone to her, she speaks to the person.  After a brief conversation, she re-opens the door and only allows me inside.  My colleague is left to stand in the rain.  I begin the survey.  The elderly woman silently follows me into every room.

Aging in Place. The statistics are striking. 89% of 50+ year old Americans intend to remain in their own homes as long as they possibly can.  Experts define this as “aging in place.” According to a 2003 National Transportation Availability and Use Survey, 3.5 million Americans never leave their homes, and more than half of the homebound are people with disabilities.

As designers, we must address these striking statistics.  With 13.5% of Detroit’s population at or over the age of 60, designers must help the City attract and retain its senior population.  As concluded by the American Association of Retired Persons (AARP), we must create, “…communities that design for livability, empower their residents to remain independent and engaged, and offer a better quality of life.” (more…)

DETROIT SCHOOL OF ARTS

Thursday, January 14th, 2010

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In October 2009, Hamilton Anderson Associates presented the Detroit School of Arts at the Arts Schools Network Conference in Washington D.C.

Located in Detroit’s Midtown District, the Detroit School of Arts (DSA) is a progressive high school of choice, offering a dual-focus curriculum in the fine / performing arts and broadcast/media arts. The DSA brings an innovative educational approach to the Detroit Public School district, blending college prep within a dynamic and interactive learning environment.

The six-story building features many unique academic, performance and production spaces, including the 800-seat Ford Theater, a 20-seat recital hall, a black box theater, arts studios and galleries, as well as a vocal and instrumental music rehearsal rooms.  The Communications Production Center (CPC) houses two state of the art television production studios, WRCJ-FM Radio, and digital media editing suites.  The top-floor media center and dining hall spaces afford students expansive views of the city’s downtown skyline.  The innovative design was conceived and refined through close collaboration with specialty consultants, user groups and Detroit Public Schools.  Throughout the design process, all aspects of the site, building and the related systems and materials were considered and developed with a commitment to sustainability and integrated design.  As a result, the Detroit School of Arts was the first LEED certified building in the City of Detroit.
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DESIGN CENTER PANEL DISCUSSION

Tuesday, January 12th, 2010

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On Wednesday, January 13, 2010 at 6 pm, the University of Detroit Mercy’s Master of Community Development Program is proudly co-sponsoring the Design Center Panel and Lecture, Cleveland + Detroit: “Design Centers as Operative Change” to be held in the Genevieve Fisk Loranger Architecture Center at the University of Detroit Mercy School of Architecture. (more…)

CRAIG WILKINS LECTURE DISCUSSION

Friday, January 8th, 2010

lecturesHAA: Dancing About Architecture-Craig Wilkins from HAA on Vimeo.

“Writing about music is like dancing about architecture – it’s a really stupid thing to want to do.”
-Elvis Costello

lecturesHAA : Event 4. With the tempo of a beatnik and a black turtleneck sweater to match, Craig Wilkins free-formed one December evening before an intimate crowd at the Johanson Charles Gallery.   Neither traditional presentation nor musical jam session, his lecture entitled “Dancing about Architecture…Part 3”, ebbed and flowed in accordance with the accompanying music.  Miles Davis.  Nelly.  John Coltrane.  Lil’ Kim.  Brazilian Salsa.  Public Enemy.  Each musical style provided a unique lens in which to view an architect’s design process and their resulting built form.  Brazilian Salsa directly influenced Gaudi’s Parc GuelleJosephine Baker provided inspiration for both Adolf LoosVilla Baker and Le Corbusier’s City of AlgiersJames Brown infiltrated South America, thereby evolving the favelas of Brazil.  Hip Hop music prompts Rural Studio and the dramatic sampling of found materials. (more…)